I do not have perfect arguments to explain the reasons that lead me to perform these essays almost always little assimilated, misinterpreted, with unusual models (as);
A greater passion for the feminine universe with its simple rules but with a strong didactic; then I reflect on "male caprices" with which I sabotaged myself and finally offer my surrender to the Love of Two Women and the consequences of all this feeling. A daily mission. Then, together with the fairies, we set out in search of liberation ...
The moment, the photo, the eternal art! It is what counts, what moves, what does not want to explain itself. It is precisely what does not need to be explained! It's so strong, so beautiful, so enigmatic, so necessary, so alive, so ...
And these "photographic waves" last for years. Decadent places, empty apartments, abandoned houses, bucolic ruins, some deserted beaches, several forgotten properties of Rio de Janeiro. In the focus of the compositions: fairies, sublime raw material, small fairies, always and always and always ...
I do not even know what I'm going to do with all these pictures. Here we have the part of the imposing mountains. Only fairies roam the mountains with the lightness of their souls. Because they are two women who love each other and any bucolic hostility has no meaning or importance whatsoever.
I never seriously thought about it. The idea that this material can fit as an inclusive tool emerged later through intuitive force. It could always be this, could always be assimilated in this way. For such existential joy, the joy of feeling, the freedom of love that spreads the lightness of being who we are, faces "walls of prejudice"; slowly invades our conceptions by building a better world ...
A greater passion for the feminine universe with its simple rules but with a strong didactic; then I reflect on "male caprices" with which I sabotaged myself and finally offer my surrender to the Love of Two Women and the consequences of all this feeling. A daily mission. Then, together with the fairies, we set out in search of liberation ...
The moment, the photo, the eternal art! It is what counts, what moves, what does not want to explain itself. It is precisely what does not need to be explained! It's so strong, so beautiful, so enigmatic, so necessary, so alive, so ...
And these "photographic waves" last for years. Decadent places, empty apartments, abandoned houses, bucolic ruins, some deserted beaches, several forgotten properties of Rio de Janeiro. In the focus of the compositions: fairies, sublime raw material, small fairies, always and always and always ...
I do not even know what I'm going to do with all these pictures. Here we have the part of the imposing mountains. Only fairies roam the mountains with the lightness of their souls. Because they are two women who love each other and any bucolic hostility has no meaning or importance whatsoever.
I never seriously thought about it. The idea that this material can fit as an inclusive tool emerged later through intuitive force. It could always be this, could always be assimilated in this way. For such existential joy, the joy of feeling, the freedom of love that spreads the lightness of being who we are, faces "walls of prejudice"; slowly invades our conceptions by building a better world ...
text and photos
by Maurício Porão
the fairies are Manu and Kamilla
by Maurício Porão
the fairies are Manu and Kamilla
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